¿Te gustaría que Stefan Sagmeister critique tu trabajo?

Desde hace un par de meses, Stefan Sagmeister le ha dado un excelente uso a su cuenta personal de Instagram y la ha utilizado para darle feedback y hacer pequeñas críticas al trabajo de diseñadores, ilustradores, artistas y cualquier creativo que se anime a mandarle un correo con algún proyecto interesante.

Esto comenzó a partir de que Stefan empezó a compartir sus portadas de discos favoritos y algunos de los proyectos que le llamaban la atención pero decidió hacer mas interactivo el ejercicio y pidió a todos sus seguidores que le mandaran proyectos; aquellos que de una u otra forma le llamaran la atención, recibirían una crítica.

If you want your project reviewed within this space, email me a square jpeg or mov file on white or black background, please include your IG address. Stefan@Sagmeisterwalsh.com
(Si quieres que revise tu proyecto en este espacio, envíame un email con un archivo cuadrado en formato jpeg o mov con fondo blanco o negro. Por favor incluyan su dirección de IG.)

A continuación les dejo algunos ejemplos de proyectos que ha reseñado.

TJ Wightman @white_noize writes from the UK: I created this thistle typography for a project celebrating Scotland. The letter was composed physically and photographed.⠀ ⠀ my review: Their is an old adage that every designer judges other people’s work the harshest if its close to something they have done themselves. Not so here: Your ‘S’ is gorgeous! Its clear that it has been hand created and not photoshopped, – everything from the colors to the letterform is flawless. ⠀ ⠀ If you want your project reviewed within this space, email me a square jpeg or mov file on white or black background, please include your IG address⠀ Stefan@Sagmeisterwalsh.com

A photo posted by Stefan Sagmeister (@stefansagmeister) on Jan 24, 2017 at 7:57pm PST

Sohee Kim writes from California: This is a visiting artist poster for Kenneth Tam. Jun ki Hong and myself wanted to create fun, complex, and diverse intimacy by attaching type with male body parts. ⠀@soheez, @junki211 ⠀ my review: This is very strong, if I’d see this hanging in an art school, I would certainly check it out. You clearly knew that the large type is not legible so you repeated it smaller, which I find a bit disingenuous. For your next project, the challenge would be to create type as strong and expressive but keep it in the world of legibility. Do check out Ralph Schraivogel’s work from Switzerland, he’s a master at this. ⠀ ⠀ If you want your project reviewed within this space, email me a square jpeg or mov file on white or black background, please include your IG address⠀ Stefan@Sagmeisterwalsh.com

A photo posted by Stefan Sagmeister (@stefansagmeister) on Jan 13, 2017 at 12:50pm PST

@tim.barson writes from London: A poster design I made for use in a risographed zine for a small London based record company⠀ ⠀ my review: This might be the most sophisticated composition of any of the pieces I have been reviewing so far. I know how difficult this is to achieve and very much appreciate it. Keep on working in this direction, it will get very juicy. ⠀ ⠀ If you want your project reviewed within this space, email me a square jpeg or mov file on white or black background, please include your IG address⠀ Stefan@Sagmeisterwalsh.com

A photo posted by Stefan Sagmeister (@stefansagmeister) on Jan 10, 2017 at 8:07pm PST

Julia Bleiweis writes from Austria: This is the logo for my own design company Graphic Julez.⠀ ⠀ my review: I do like things in circles (see our ‘&’ in a circle), and enjoy this visually but not conceptually. The ‘G’ itself is perfectly clear, but if I’m supposed to read the right half as a ‘J’, then what is the meaning of the left half? For something so simple, its not quite resolved yet.⠀ ⠀ If you want your project reviewed within this space, email me a square jpeg or mov file on white or black background, please include your IG address⠀ Stefan@Sagmeisterwalsh.com

A photo posted by Stefan Sagmeister (@stefansagmeister) on Jan 8, 2017 at 5:18am PST

Ozgur Kanadikirik writes from Ankara: I’m a self-taught designer from Turkey.⠀ ⠀ my review: This would be absolutely wonderful if you could find a milk board that would publish this packaging exactly as is, with no type at all and possibly only a barcode at the bottom of the back. As it seems in Turkey the cows are rather light skinned, you might run into some trouble with the politically correct set…⠀ ⠀ ⠀ If you want your project reviewed within this space, send me a square jpeg or mov file on black background. ⠀ Stefan@Sagmeisterwalsh.com

A photo posted by Stefan Sagmeister (@stefansagmeister) on Dec 23, 2016 at 1:52pm PST

@esinly writes: I’m a fourth year student at Bezalel Academy of Art and Design in Jerusalem. This hebrew moving logo I made with Moshe Rosenschein reads “Memories from the Future”.⠀ ⠀ my review: This is wonderful and perfect. As I don’t read Hebrew I can’t comment on the form of the letters, seen through non-hebrew eyes the unfamiliarity of the form adds spice to the animation. ⠀ ⠀ If you want your project reviewed within this space, email me a square jpeg or mov file on white or black background, please include your IG address⠀ Stefan@Sagmeisterwalsh.com

A video posted by Stefan Sagmeister (@stefansagmeister) on Jan 8, 2017 at 7:03pm PST

Desde ese momento, Stefan no ha parado de subir trabajos acompañadas de críticas realmente constructivas y bastante bien informadas. Los invito a que si tienen algo interesante que mandar, lo hagan!

Stefan Sagmeister @ Instagram